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‘Godfather’ cinematographer Gordon Willis dies Posted: 19 May 2014 03:05 AM PDT The iconic cinematographer is known for his ground-breaking work with Francis Ford Coppola. Gordon Willis, the cinematographer who worked on director Francis Ford Coppola's The Godfather film series, has passed away. He was 82. Willis was well respected in the film world for his work and has cast his magic on many of Hollywood's top films including Woody Allen's Annie Hall and Stardust Memories, Alan J. Pakula's All The President's Men and Klute, as well as Herbert Ross' Pennies From Heaven. Born in New York in 1931, Willis made his debut as a cinematographer in 1970 with four movies. Two years later, his career received a big boost when he was chosen to work on Coppola's mafia classic and 1972's Best Picture Oscar winner, The Godfather. Willis went on to work on the movie's two sequels, receiving an Oscar nomination for the third film in 1990. Unfortunately, Willis has never won any award for his top-billed work, although the Academy of Motion Picture, Arts and Sciences in the US did give him an honorary Lifetime Achievement award in 2009. Willis' final work was Pakula's 1997 film The Devil's Own, which starred Harrison Ford and Brad Pitt. He retired soon after. |
New generation Coppola tackles James Franco's teen tales Posted: 17 May 2014 04:40 AM PDT Family tradition: Although she trained to be a photographer, Gia Coppola (above) was compelled to carry on the family's filmmaking tradition, releasing her first cinematic feature Palo Alto, which she wrote and directed, basing her script on James Franco's collection of short stories of the same name. Franco appears in the movie (below), as a physical education teacher who has an affair with a student. He also helped produce the film. Coppola's family has a history of exploring coming-of-age stories, from her grandfather's 1983 films The Outsiders and Rumble Fish to her aunt's 1999 feature film debut with The Virgin Suicides, all of which Coppola said she referenced during her own debut process. The film features vivid cinematography influenced by the director's photography training, and follows four characters whom Coppola pulled together from the stories of Franco, who also appears in the film. April, played by Roberts, is introverted and mysterious, the object of Teddy's (Kilmer) affections but who is seduced by her 35-year-old teacher, Mr B (Franco). Fred (Nat Wolff) is the dangerous rebel without a cause who woos the shy and quiet Emily (Zoe Levin), only for their relationship to take a dark turn. While Franco's book is set in the 1990s, Coppola sets her film in the present, sprinkling cell phones in lightly, but she said she wanted the film to feel "timeless". Teen boredom Franco, 36, wrote Palo Alto as part of his Master of Fine Arts writing degree at Brooklyn College, and while he has delved into writing and directing films, he said he didn't want to adapt his own book as he felt too close to the material. He chose Coppola, whom he met five years ago, to direct the adaptation after seeing her photography. "The photos seemed to have the sensibility that was similar to the one I was trying to capture with the book," he said. "They looked like little glimpses at youth that was filled with dreaming, a bit of the mundane, a bit of skepticism about the world around them, but also engaging with the world with a creative spirit," Franco added. |
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