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Posted: 05 Mar 2014 08:00 AM PST George Lazenby lacks the swagger of Sean Connery, but this 1969 black sheep is possibly the best 007 film ever. ON Her Majesty's Secret Service (OHMSS) had a lot to live up to. As far as the entire world was concerned, Sean Connery was James Bond. And here was some impostor – worse, an impostor from the colonies, George Lazenby, whom nobody had heard of – waltzing in to take his place. It wasn't right. It wouldn't do. To rub everyone's noses in it even further, OHMSS deliberately stuck closely to the book, which meant no audience-pleasing whizz-bang gadgets. And what's with the bummer of an ending? No wonder the film only took half the amount of You Only Live Twice at the box office. And yet, I will fight anyone who dares to tell me that they don't like OHMSS. Because they are flat out wrong. In the 45 years since it was released, it stands out as one of the best 007 films ever. Possibly even the best. It has the best soundtrack. It pushes the character into difficult new places. And that ending: that's not just a great James Bond ending, it's probably in the top 10 film endings of all time. If you've never seen OHMSS, you should watch it. If you've seen it before, you should watch it again. And if you don't like it, I'm serious about fighting you. |
Posted: 05 Mar 2014 08:00 AM PST Hailee Steinfeld dishes on cigarettes, college and dancing with Kevin Costner. IN the three years since earning an Oscar nomination at age 14 for her film debut in Joel and Ethan Coen's True Grit, Hailee Steinfeld has had barely a moment to catch her breath. Last year, she tackled sci-fi (Ender's Game) and Shakespearean tragedy (Romeo And Juliet). And the 17-year-old high school junior has a cluster of films completed, including 3 Days To Kill. Penned by Luc Besson and Adi Hasak and directed by McG, the spy thriller-drama finds Steinfeld playing Zoey, the estranged teenage daughter of a dying CIA assassin (Kevin Costner). Also in the pipeline for the actress are the Toronto Film Festival fave Can A Song Save Your Life?, Tommy Lee Jones' The Homesman and the action-comedy Barely Lethal – in this one, she's the assassin. So, the Internet was abuzz last week with pictures of you smoking. I did get a phone call from my dad after those pictures got out. What did he say when you told him they were actually herbal cigarettes and the pictures were from the set of Ten Thousand Saints? He's like, "It's all part of the game." I get it. It's cool. The movie, which involves a lot of things including smoking, drugs and alcohol, has been an interesting learning experience for me. Speaking of interesting experiences, what was it like being on location in Paris for 3 Days To Kill? Oh, my God, that alone was so incredible! It was my first time spending more than a weekend there. I watched the film for the first time a couple of weeks ago. It's heart-pounding to watch. There's a quiet moment where Costner teaches you how to dance. That was one of my favourite scenes in the movie. We had a great, great time. Kevin and McG worked with me in creating something really special. You also just worked with Tommy Lee Jones, who not only stars in but also directs The Homesman. That is a period piece. I don't know if it is sort of classified as a Western, but I play a very, very, small part in it. I will say I don't think I have ever been more nervous in my life as I was when I was doing one scene with Tommy Lee Jones. I had like three lines and they wouldn't come out of my mouth. I get nervous about pretty much everything. Really? Even when you were just 14 and going through the Academy Awards three years ago, you seemed unflappable. The thing I find as I get older that I think, maybe, I get more nervous because I have become aware of what is actually happening. When I was 13 and shooting True Grit and when I was at the Oscars, I had no idea what I was getting myself into. It took me a very long time to realise just how incredibly special that entire time in my life was. I enjoyed every single minute. But I would do anything to sort of relive it. But, I have been so fortunate to have had amazing experiences since then. You're a home-schooled high school junior. Are you thinking about college? Last year, I was thinking about it nonstop. The norm is that you go after you graduate from high school. I don't know where in the world I will be next week and I don't know where I will be in a year, so I was sort of worked up over that. I had conversations with my parents and my teachers. That brought to my realisation that college is always there. That is a comforting feeling. I hope that I can find a good time to do that. – Los Angeles Times/McClatchy-Tribune Information Services 3 Days To Kill is currently showing in cinemas nationwide. |
Posted: 05 Mar 2014 08:00 AM PST Rodrigo Santoro on playing the Persian God-King in '300: Rise Of An Empire'. IN 300: Rise Of An Empire, Rodrigo Santoro plays the role of Persian God-King Xerxes. While in reality, eight years have passed since 300 was released, in the film the audience finds out exactly what happens to Xerxes after 300 ends. In an interview with SFX magazine, the 38-year-old Brazilian says: "I'm not 20 any more, so it's a little different. I remember having to watch the scene in the first one – right after the 300 are dead and Xerxes has just had a spear cut his face – and thinking, 'Oh my god ... I have to connect right after that battle. How do I do it?' It's the same character, but what can I do to make it fresh for myself?" It helped that the film delves into his character's past, revealing how the mortal Persian turns into a gigantic tyrant. "We get to know a little about how and why Xerxes becomes the God King." Related story: |
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