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Posted: FIRST there is the tale. Then there is the teller. And finally there is the book. So let us start with the tale, which is an extraordinary and exciting account of a mother's escape from war-torn Syria with her six-year-old daughter. It was on Wednesday, Sept 7, 2011, that Mostafa Assad arrived at the Cyprus home of Louise Monaghan and their daughter, May, ostensibly to take May to the beach. In recalling the worst day of her life, Monaghan claims that she knew something was wrong from the start and that the husband she had recently divorced was behaving oddly. But May went off with her father and Mostafa, it transpired, had abducted his daughter and taken her to Syria, his country of birth. The timing was significant: the next day May was to have started at an international school. Mostafa, despite not practising the faith himself, wanted her brought up as a Muslim. His solution was to take her, despite From this point on, Monaghan's sole reason for living was to get her daughter back. At first this involved pretending to play along with Mostafa's wishes and join them in Syria to reunite as a family, despite the recent divorce and the fact that Mostafa already had a wife and two children back home. Whilst doing everything that she and her sister Mandy could to get official support and intervention, she assured Mostafa that she would join him. Getting into Syria was the easy part; it was getting out again with May that proved the tricky bit. From this point on, the story is one of subterfuge, bribery, people smugglers and incompetent officialdom. It climaxes with Monaghan and May walking over mountain passes to reach Damascus and into the So far, so good; it is an impressive act of courage and fortitude, a heartwarming tale of a mother's absolute love for her child. And that, no doubt, is the story that Monaghan and her co-author wanted to tell. Now for the teller. Stolen is a very personal account and it is also, as far as one can tell, an honest one. But it is staggering how many bad life decisions one person can manage to make. Monaghan's relationship with Mostafa was clearly doomed from the start. Almost immediately after meeting her he proved to Hindsight is a wonderful thing but even at the time her far more sensible sister, Mandy, saw straight through him. So did her father. So did her friends. And even one of his own family warned her not to get involved with him because he was a bad lot. When they lived together she paid all the bills and all the expenses and he contributed nothing. He used her car. He refused to let her go out in the evenings whilst he went out until the early hours of the morning. He swore at her and repeatedly beat her. He was abusive and controlling to an extreme degree. Yet despite just about every warning sign you could ask for, and knowing all this, she still married him. On this level, it is almost impossible to sympathise with Monaghan and even less possible to empathise with her. She is startlingly naive, ill-informed, irresponsible and stubborn. Her complete lack of common sense even extends to her choice of clothes as she escapes from Syria: she has uncovered blonde hair, a short dress, tights and wedge shoes. Her redeeming feature is her determination to do what she believes to be right for her child, whom she clearly loves deeply. But, my goodness, she taxes the reader's patience. And so, finally, there is the book. Louise Monaghan wrote her story with Yvonne Kinsella, a journalist and friend. I can only think that their intention was to allow the "authentic voice" of Monaghan to take precedence over style, grammatical accuracy and eloquence. That would be my kindest explanation and excuse for a book littered with infelicities from beginning to end. To take but one example: the incorrect (though increasingly common) use of the first person reflexive pronoun "myself" as in "between myself and her father" and "May and myself jumped into the back of the taxi". This occurs throughout the book, as does the excessive overuse of the word "lovely" to describe just about anything that Monaghan likes. It is one thing to opt for a simple, direct voice, but it is another to publish a work so clearly badly written. So, there you have it: a tale more than worth telling, a deeply flawed teller and an ill-written and edited book. How much the last two features are likely to annoy you will probably determine whether or not you |
Go Big Or Go Home: Taking Risks In Life, Love, And Tattooing Posted: I HAVE always liked Kat Von D, even when she was the annoying female tattoo artist in the hit reality TV series, Miami Ink. Despite her moody behaviour, her artistic talents were undeniable as she designed intricate tattoos on that show, specialising in black and grey portraits as well as intricate calligraphy. She knows how to put her clients at ease and had a good rapport with most of her colleagues, even after she moved on to star in her own reality TV series, L.A. Ink. At least judging from what we could see on television, Kat seems like a nice, hardworking girl with little to no luck in the love department (she did infamously dat e Sandra Bullock's cheating ex-husband Jesse James and is now in an on-and-off relationship with Deadmau5). But who knew that she is also a b estselling author on top of being one of the most sought after tattoo artists in Hollywood? I didn't. Flipping through the book, one first notices the awesome artwork on each page – there seriously isn't one page that is not decorated in some way – and they are really amazing. Then, when you finally get to the Here we learn that Kat has always wanted to sing in public but had never found the courage to tell anyone about it ... until now. "I wanted to sing out loud, and in front of anybody and everybody. And it wasn't because I was bred or because I had something to prove, but because something inside me demanded that of me. I hate to Okay, so she wants to sing and has decided that the best way to get to it was to write about the process of making her dream come true. Of course, that's the way to do it (note: sarcasm). Obviously the people who For those who have read many selfhelp books which advise you to carpe diem, believe in yourself and live and let live ... Go Big Or Go Home has nothing new to offer, unfortunately. Kat tells her readers what they most probably already know except that unlike most writers, she accompanies her advice with lots of creative artwork – which makes the book a lot easier to read than other motivational books out there. (There were times when I just flipped through the pages admiring Oh, and to classify this as a motivational book is not completely accurate, but it's not incorrect either. What she hopes to tell through this book is that it is high time to take the bull by its horns, jump off a cliff |
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