The Star Online: Entertainment: Movies
The Star Online: Entertainment: Movies |
| Posted: 04 Nov 2011 06:52 AM PDT Boy hero back in a bother in Belgium. BLISTERING barnacles! As Tintin prepares to take on the world in Steven Spielberg's blockbuster, the fearless boy reporter's adventures are hotting up at home. Thirty years in the making, the Avatar-style film hits screens worldwide as the Belgium-born comic-book hero fends off racism charges, squabbles over his legacy, and whisperings over his sexuality and morals. A children's bedside classic in much of Europe, the movie and its sequels by Lord Of The Rings director Peter Jackson, look set to fire up sales of Tintin's 24 adventures from Tibet to the Moon that have left heirs to author, Herge, sitting pretty on a pot of gold. But the couple overseeing his legacy – worth almost as much as Sean Connery and far more than Hugh Grant according to this year's Sunday Times "Rich List" – are under a barrage of "thundering typhoons" from Tintinophiles over the merchandising of the intrepid boy crusader. If the movie, as expected, turns out to be a box-office hit in tune with the spirit of the original comic character, the Tintin revival may soothe the squabblings and turn the page on his creator's controversial dealings with the wartime far right. Herge, real name Georges Remi and one of Belgium's most beloved sons, died childless in 1983 at age 75, leaving the estate to his widow Fanny Vlamynck, a colouring artist 28 years his junior. By all accounts more interested in Buddhism than business, and more focused on Herge's groundbreaking graphics than his art as storyteller, Vlamynck for the past decade has left business dealings in the hands of second husband Nick Rodwell. The Rolls Royce of comic books The controversial Briton 18 years her junior, said to have opened London's first Tintin shop, has slowly but surely taken Tintin's face off mustard pots and the like to refocus the brand in line with his belief that "Tintin is the Rolls Royce of comic books". The couple to that end gifted an original Herge plate to Paris' contemporary Pompidou Centre art house, and in 2009 opened a €15mil (RM65mil) museum to his glory, designed by a Pritzker prize-winning architect and largely dedicated to Herge's art, rather than best-selling cartoon character. Rodwell, said Hugues Dayez, author of a book on the Tintin legacy, "has completely cut Tintin off from children and from popular culture." While Brussels' official Tintin boutique does offer small figures at around four euros a shot, prints go for €55 (RM237) and collectors' items such as the iconic red rocket range from €44 to €300 (RM190 - RM1,294). The couple moreover have irked the press as well as the Tintinophiles. In 2009, Rodwell kicked off a local storm after branding a journalist "a liar" and attacking two others on the official Tintin.com website. With Belgians already smarting over Rodwell's increasing restrictions over the use of the image of their favourite cartoon, the website shut down Rodwell's blog. Worth €73mil (RM314), according to the Sunday Times, the couple will be under strict scrutiny by critics over the movie's treatment of Tintin under a deal between the pair and Hollywood. "There's a risk that Spielberg's vision will undermine Herge's," Jean-Claude Jouret, a former manager of the estate told AFP. "It's undoubtedly good business but perhaps it won't help the longterm preservation of his work." Belgian critics, however, have hailed a sneak preview of The Adventures Of Tintin – The Secret Of The Unicorn as "a bull's eye". And Dominique Maricq, an oldtimer at Herge Studios, told AFP that Hollywood appeared bent "on respecting the spirit of Tintin's world, of not turning him into an American super-hero." Racism case Meanwhile, a years-long racism case against Tintin In Congo wound up last week in a Brussels court with Congolese citizen Bienvenu Mbutu Mondondo demanding the album be pulled off shelves as "a justification of colonisation and white supremacy". The 1931 book's childlike savages with their blubbery lips and poor French would offend any African child, he said. Herge was anything but racist, retorted lawyers for his publishers and heirs. The neatly turned-out boy reporter with the quiff was a pure product of Herge's long involvement with the do-gooders of the Boy Scouts movement, he said. A fresh-faced 23-year-old when he wrote the strip that became his second album, Herge had never travelled beyond his native Belgium, drawing inspiration as in all his works from books, museums, chance encounters and reports in the press. "Herge reflected the times, it wasn't racism but kind paternalism," said lawyer Alain Berenboom, urging the judge, who will rule early next year, not to ban the book. A similar appeal in Sweden against the album, published when Belgium ruled what is today the Democratic Republic of Congo, was thrown out. But in 2007 US bookstore chain Borders said it would pull copies from the children's shelves. Britain's Commission for Racial Equality the same year deemed it contained imagery and words "of hideous racial prejudice", sending sales rocketing up. Near absence of women Through his lifetime, Herge was no stranger to political controversy. Arrested after World War II for collaborating with the Nazis after his wartime Tintin strips appeared in a German mouthpiece newspaper, Herge subsequently faced finger-pointing over anti-Semitism, notably over Tintin's enemy in The Shooting Star – a greedy American financier originally called Blumenstein. Like other cartoon super-heros, Tintin has become a literary legend, with academics, psychiatrists, journalists and culture buffs alike exploring his persona – and his author's – in hundreds of learned articles and almost as many books. Herge's political leanings aside, one age-old mystery remains Tintin's sexuality. "Of course Tintin's gay. Ask Snowy," said The Times journalist Matthew Parris when the boy reporter turned 80 in 2009. "What debate can there be when the evidence is so overwhelmingly one-way? A callow, androgynous blonde-quiffed youth in funny trousers and a scarf moving into the country mansion of his best friend, a middle-aged sailor," he wrote, referring to foul-mouthed whisky aficionado Captain Haddock. The near absence of women in the Herge universe too has intrigued – only eight of some 350 characters are identifiably female – as well as Tintin's lack of a love interest, a trait respected by the Spielberg-Jackson duo. Snowy, on the other hand, is "unambiguously heterosexual," said Parris, adding that his tendency to be distracted by lady dogs "is consistently foiled by his master." "Pity this dog, wretchedly straight and trapped in a ghastly web of gay human males." – AFP Full content generated by Get Full RSS. |
| Posted: 04 Nov 2011 06:50 AM PDT THE Adventures Of Tintin: The Secret Of The Unicorn, Steven Spielberg's 3D take on Georges Remi's treasured comic books, is already a hit overseas with audiences. But what about the critics? Overseas opinionators vary wildly in their assessments, with some heaping on the praise and one British critic reacting violently against it. In Belgium, where the comic books originated, the newspaper Le Soir, takes a positive view of the film – we think. According to the translation programme we ran their review through, The Adventures Of Tintin is "a popular and general public film, which alternates in a tasty way the exotic film of adventure, play of track Hitchcockian and the picaresque comedy." So ... it's eclectic? Alas, the film earned a huge thumbs-down from the Guardian's literary critic, Nicholas Lezard. A self-professed lifelong Tintin fan, Lezard likens the film to a sexual assault. "Coming out of the new Tintin film directed by Steven Spielberg, I found myself, for a few seconds, too stunned and sickened to speak; for I had been obliged to watch two hours of literally senseless violence being perpetrated on something I loved dearly," Lezard writes. "In fact, the sense of violation was so strong that it felt as though I had witnessed a rape." In France, Spielberg's interpretation of Tintin appears to be considered "tres bien". L'Express lauds the filmmaker for crafting an adaptation that isn't afraid to break with Remi's vision, but remains lovingly faithful in its own way. Spielberg allows (himself) to reinvent certain sides of history, and to make some winks," the paper notes. Even so, the review adds, "One feels all the affection which it carries to its characters." France's Cinema Teaser praises the film's "sublime" opening-credits sequence, as well as the much-ballyhooed technology behind the film. It says that The Adventures Of Tintin proves "that the performance capture can definitively cause life when it is used by a large scenario writer." England's Empire Online also makes special note of the film's performance-capture technology, noting that it lends itself to "endless chase sequences." However, the review concludes that it's the heart beating underneath the bells and whistles that makes The Adventures Of Tintin a captivating read. "You have a job keeping up, but never at the expense of the sheer goodwill," the review posits. "While luxuriating in its pre-existing universe, here is a film imploring you to join in. It would take a hard heart to resist." Overall, Empire concludes, The Adventures Of Tintin is "action-packed, gorgeous, and faithfully whimsical." – Reuters Read what our own reviewer thinks of the movie in tomorrow's Star2. Full content generated by Get Full RSS. |
| The Rum Diary: Box office flop? Posted: 04 Nov 2011 02:12 AM PDT ONE of the biggest movie stars in the world suffered one of the biggest box-office flops of his career last weekend. Even with Johnny Depp, the Hunter S. Thompson-themed The Rum Diary couldn't scrape up more than US$5mil at 2,272 North American locations. Considering the movie had a budget of about US$45mil, that's a tough opening for the FilmDistrict release. Certainly Depp, who has driven Disney's Pirates Of The Caribbean franchise and its Alice In Wonderland to multi-billion-dollar heights, has had other disappointments. Last year's The Tourist, which also starred Angelina Jolie, grossed US$278.3 mil worldwide – an impressive number, except the movie cost an estimated US$100mil to make. His 2009 film The Imaginarium Of Doctor Parnassus opened to a shabby US$1.6mil. It went on to gross US$61.8mil worldwide on a US$30mil budget. And his 2006 The Libertine fared far worse. It grossed US$10.8mil worldwide. The film was shot on a modest budget of around US$20mil. And of course, Depp has played Thompson – who he counted as a close personal friend – before, in 1998's Fear And Loathing In Las Vegas. That movie was made for an estimated US$18.4mil and grossed only US$10.6mil in the United States. Going into the weekend, FilmDistrict had modest expectations for The Rum Diary. The distributor figured that Depp's appeal and Thompson's cult status would help the movie gross between US$9mil - US$11mil. Depp, of course, is a huge international star, and the movie has fared well in the few territories it has premiered in abroad, grossing US$2.8mil in the Ukraine and Russia. The Rum Diary also stars Aaron Eckhart, Amber Heard and Giovanni Ribisi. Bruce Robinson wrote and directed and Depp co-produced. – Reuters Full content generated by Get Full RSS. |
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